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The Audacious Adventuress
Editions
  • paperback· 234 pp9782245007297
First published 1971

The Audacious Adventuress

By Barbara Cartland

Heat level
Sweet

TOO LATE FOR LOVE 'Druscilla, it is I - Valdo. For God's sake open the door.' It is the raffish, irresistible Marquis of Lynche, an avowed bachelor, who pleads for help. Earlier in the day he had taken refuge from some wild party games in the Schoolroom of the Duchess of Windleham's small daughter. To his surprise he found the Governess is his second cousin Druscilla, whom he had not seen since they were children. She begged him then to leave the Schoolroom and to forget her existence. But now in the early hours of the morning the Marquis beseeches Druscilla to provide him with an alibi which will convince the Duke of Windleham, who has returned home unexpectedly, that he has not been seen coming from the Duchess's bedchamber. How the Duke is not deceived by the Marquis's lies and insists on a duel, how the Marquis in desperation swears he was proposing marriage to Druscilla and how he is forced into an immediate matrionial commitment. That was how Druscilla had captured the most eligible bachelor in London. Their wedding was to be a dazzling affair; the Prince of Wales himself was to give her away. But suddenly Druscilla was terrified of the future. Was she always to be haunted by the women the marquis had loved? Was she always to find fair charmers laying traps for him, their eyes beseeching him for the favors that belonged to his wife? Once she had hoped for a marriage where she would love and be loved. Now she knew-on her wedding day--that it was impossible. Worse still, she knew that the marquis' life was in danger. She had already saved him once. Could she protect him again when the murderer struck?

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Tropes

What you're getting into.

Marriage of ConvenienceRelationshipHistorical RomanceSettingFake EngagementRelationshipPiningRelationshipChildhood Friends to LoversRelationshipRomantic SuspenseSettingOpposites AttractRelationshipForced ProximityRelationship
Content warnings

For your information, not judgment.

Severity reflects intensity, not value — “central theme” means a warning is a core part of the book, not that the book is bad.

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